In 1984, Bruce Springsteen raged against his sense of isolation and alienation in the lyrics to Dancing In The Dark.
He crafted a pop classic from heartfelt self-analysis.
Blinded By The Light harnesses that raw energy as a toe-tapping soundtrack to one downtrodden British Pakistani teenager’s self-awakening beneath the bright lights of 1980s Luton.
Adapted from Sarfraz Mansoor’s memoir Greetings From Bury Park, director Gurinder Chadha’s uplifting coming-of-age comedy is composed to familiar emotional beats including an exuberant sprint through town to the insistent thrum of Born To Run.
It’s uplifting fare with a killer soundtrack of Springsteen’s greatest hits, which provides a brisk tempo to the war of words between the teenage protagonist and his father, who sternly rebukes: “You will always be Pakistani, you will never be British!”
At a time when far-right politics seem to be striking a chord across Europe with disenfranchised voters, the intolerance and division projected through Chadha’s lens is uncomfortably relevant.
Sixteen-year-old Javed (Viveik Kalra) enters sixth form with a mounting sense of dread.
He indulges his love of music by penning lyrics for best friend and neighbour Matt (Dean-Charles Chapman), who is in a band.
However, any dreams of writing full-time, which are fanned by teacher Ms Clay (Hayley Atwell), must be extinguished to be a dutiful son to his seamstress mother Noor (Meera Ganatra), and father Malik (Kulvinder Ghir), who works on the production line of the local Vauxhall car plant.
When Malik is unexpectedly made redundant, tensions within the family home explode and the pressure intensifies on Javed to marry and settle down when what he really wants to do is “kiss a girl and get out of this dump”.
Blinded By The Light is a return to crowd-pleasing form for Chadha with strong performances and earthy humour complementing her unabashed affection for the characters.
Kalra is an endearing misfit, who feels a deep connection to Springsteen’s lyrics, and the romantic subplot with Williams simmers gently.
The film sparks with energy and nostalgic period detail but doesn’t quite start the fire demanded by The Boss.
Regardless, audiences will be dancing in the dark of cinemas.
RATING: 6/10
DAMON SMITH
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